The app, Brushes, was the winner of the Apple Design Award
in 2010 and was used to create the cover of the June 1, 2009 issue of The New
Yorker. It costs $4.99 at http://itunes.apple.com/us/app/brushes-iphone-edition/id288230264?mt=8/.
In the interview at Wired.com Lasnier talks about the limitations of the
iPod and how it increases his creativity which in turn increases his
productivity. He spends one hour creating an image! The objects
he chose to work with are everyday objects such as the corner of his spiral
notebook, ink jar and staple remover. He
mentions the fun he had with each image.
.
According to Lasnier digital art as he is creating it is not marketable. How feasible is it to print? And look how readily available it is through
galleries in The Cloud.
Do I agree with him?
He certainly has a point. Have
you ever tried to print out a color document and had it match the exact color
you had painted? In my view a printer
cannot mix colors as an artist can.The only place it remains as creative as the artist meant it is in The Cloud.
But there is a progression toward viewing digital art as an
art form. The Austin Museum of Digital
Art - located in Austin, Texas - sums their philosophy of digital art quite aptly at their website:
"AMODA defines digital art as art that uses digital technology in any of
three ways: as the product, as the process, or as the subject."
My foray into the digital arts world has included the
creation of two paintings. They took quite a bit of time and effort. I first used ArtPad and then decided to use
SumoPaint because it offered more
tools which I thought would be necessary for this course. It certainly was fun.
The ArtPad image titled “Summer in Vermont ” can be see at ArtPad where they show
the creation of the image from the very start.
The SumoPaint image titled "Fall is Here" is shown below.
Resources:
Interview with David Lasnier
Austin Museum of Digital Art
Digital Arts Gallery
A magazine for digital artists
A digital artist's website
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| "Fall is Here" |

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